Showing posts with label Poetry Reviews. Show all posts
Showing posts with label Poetry Reviews. Show all posts

Galatea Resurrects #17



Issue No. 17 TABLE OF CONTENTS

[N.B. You can scroll down on blog or click on highlighted names or titles to go directly to the referenced article.]

EDITOR’S INTRODUCTION
Eileen Tabios


NEW REVIEWS
Nicholas Manning Reviews IRRESPONSIBILITY by Chris Vitiello

Patrick James Dunagan Reviews HOW PHENOMENA APPEAR TO UNFOLD by Leslie Scalapino

Allen Bramhall Reviews AT THAT by Skip Fox

T.C. Marshall Reviews ETHICS OF SLEEP by Bernadette Mayer

Fiona Sze-Lorrain Reviews SELF-PORTRAIT WITH CRAYON by Allison Benis White

Laura Trantham Smith Reviews UTOPIA MINUS by Susan Briante

Moira Richards Reviews IN PARAN by Larissa Shmailo

Philip Troy Reviews THE FEELING IS ACTUAL by Paolo Javier

Eileen Tabios Engages THERE ARE PEOPLE WHO THINK THAT PAINTERS SHOULDN’T TALK: A GUSTONBOOK by Patrick James Dunagan

Logan Fry Reviews IN THE COMMON DREAM OF GEORGE OPPEN by Joseph Bradshaw

Eileen Tabios Engages TO BE HUMAN IS TO BE A CONVERSATION by Andrea Rexilius

Thomas Fink Reviews PARTS AND OTHER PIECES by Tom Beckett

T.C. Marshall Reviews TO LIGHT OUT by Karen Weiser and DUTIES OF AN ENGLISH FOREIGN SECRETARY by MacGregor Card

Allen Bramhall Reviews CITIZEN CAIN by Ben Friedlander

William Allegrezza Reviews
FORTY-NINE GUARANTEED WAYS TO ESCAPE DEATH by Sandy McIntosh

Fiona Sze-Lorrain Reviews THERE’S THE HAND AND THERE’S THE ARID CHAIR by Tomaz Salamun

Eileen Tabios Engages MY LIFE AS A DOLL by Elizabeth Kirschner

Gabriel Lovatt Reviews THE USE OF SPEECH by Nathalie Sarraute, translated from the French by Barbara Wright

Logan Fry Reviews PORTRAIT OF COLON DASH PARENTHESIS by Jeffrey Jullich

Eileen Tabios Engages STILL: OF THE EARTH AS THE ARK WHICH DOES NOT MOVE by Matthew Cooperman

Bill Scalia Reviews THE URGE TO BELIEVE IS STRONGER THAN BELIEF ITSELF by Erin M. Bertram

Kristin Berkey-Abbot Reviews FAULKNER’S ROSARY by Sarah Vap

Micah Cavaleri Reviews KYOTOLOGIC by Anne Gorrick

Tom Beckett Engages AUTOBIOGRAPHY OF MY GENDER, PRURIENT OMNIBUS ANARCHIC, RESTITUTIONS FOR A NEWER BOUNTIFUL VERB, COCK-BURN, OUR BODIES . . . ARE BEAUTY INDUCERS, THE ULTERIOR EDEN, ASYMPTOTIC LOVER//THERMODYNAMIC VENTS, all by j/j hastain

j/j hastain Reviews A GOOD CUNTBOY IS HARD TO FIND by Doug Rice

Eileen Tabios Engages 60 TEXTOS by Sarah Riggs

Bill Scalia Reviews BEAT THING by David Meltzer

Logan Fry Reviews HANK by Abraham Smith

T.C. Marshall Reviews EXPLORATIONS IN NAVAJO POETRY AND POETICS by Anthony K. Webster and THE PRINCIPLE OF MEASURE IN COMPOSITION BY FIELD: PROJECTIVE VERSE II by Charles Olson, Ed. Joshue Hoeynck

Eileen Tabios Engages TEENY TINY #13, Edited by Amanda Laughtland

Allen Bramhall Reviews ANTIPHONIES: ESSAYS ON WOMEN'S EXPERIMENTAL POETRIES IN CANADA, Ed. Nate Dorward

Gabriel Lovatt Reviews VACANT LOT by Oliver Rohe, translated from the French by Laird Hunt

Eric Wayne Dickey Reviews PUNISH HONEY by Karen Leona Anderson

Eileen Tabios Engages INSIDE THE MONEY MACHINE by Minnie Bruce Pratt

Pam Brown Reviews SLY MONGOOSE by Ken Bolton

T.C. Marshall Reviews HOW LONG by Ron Padgett

Neil Leadbeater Reviews A HERON IN BUENOS AIRES by Luis Benítez

Jean Vengua Reviews THE WISDOM ANTHOLOGY OF NORTH AMERICAN BUDDHIST POETRY, Editor Andrew Schelling

Eileen Tabios Engages WAIFS AND STRAYS by Micah Ballard

T.C. Marshall Reviews THE NEW TOURISM by Harry Mathews

Guillermo Parra Reviews HOW’S THE COWS by Jess Mynes

T.C. Marshall Reviews THE WIDE ROAD by Carla Harryman and Lyn Hejinian

John Bloomberg-Rissman Reviews THE COMMONS by Sean Bonney

Pam Brown Reviews
PERRIER FEVER by Pete Spence

Jim McCrary Engages MARROWING and THE NAME OF THIS INTERSECTION IS FROST, both by Maryrose Larkin

Tom Beckett Reviews THE NAME OF THIS INTERSECTION IS FROST by Maryrose Larkin

Patrick James Dunagan Reviews “NEITHER WIT NOR GOLD” by Ammiel Alcalay and STREET METE: VERTICAL ELEGIES 6 by Sam Truitt

Eileen Tabios Engages RADIATOR by NF Huth

Genevieve Kaplan Reviews SPEAKING OFF CENTRE by James Cummins, CORPORATE GEES (VOLUME V) by Christopher William Purdom, KITCHEN TIDBITS by Amanda Laughtland, FROM HERE by Zoë Skoulding with images by Simonetta Moro, and TWO HATS APPEAR WHEN APPLAUDED: AN IMPROVISATION by Raymond Farr

L.S. Bassen Reviews IT MIGHT TURN OUT WE ARE REAL by Susan Scarlata

rob mclennan Reviews THREE NOVELS by Elizabeth Robinson

Patrick James Dunagan & Ava Koohbor Review THE TELLER OF TALES: STORIES FROM FERODWSI’S SHAHNAHMEN, Translated by Richard Jeffrey Newman

Tom Hibbard Reviews SELECTED POEMS by Nick Demske, A MYSTICAL THEOLOGY OF THE LIMBIC FISSURE by Peter O’Leary, HOSTILE WITNESS by Garin Cycholl, UNABLE TO FULLY CALIFORNIA by Larry Sawyer, AIN’T GOT ALL NIGHT by Buck Downs, and ANSWER by Mark DuCharme

Jeff Harrison Engages THE DANGEROUS ISLANDS (A NOVEL) by Séamas Cain

Eileen Tabios Engages ALIENS: AN ISLAND by Uljana Wolf, Trans. from the German by Monika Zobel

Kristin Berkey-Abbot Reviews LOOKING UP HARRYETTE MULLEN: INTERVIEWS ON SLEEPING WITH THE DICTIONARY AND OTHER WORKS by Barbara Henning

G. Justin Hulog Reviews ARCHIPELAGO DUST by Karen Llagas

Allen Bramhall Reviews FRAGILE REPLACEMENTS by William Allegrezza

Eileen Tabios Engages RED WALLS by James Tolan

Juliet Cook Reviews COMPENDIUM by Kristina Marie Darling

Bill Scalia Reviews WHAT THE RAVEN SAID by Robert Alexander

Fiona Sze-Lorrain Reviews
SEE HOW WE ALMOST FLY by Alison Luterman

Sunnylynn Thibodeaux Reviews THE INCOMPOSSIBLE by Carrie Hunter

John Bloomberg-Rissman Reviews 908-1078 and THE PERSIANS BY AESCHYLUS, both by Brandon Brown

Benjamin Winkler Reviews WE IN MY TRANS by j/j hastain

Mary Kasimor Reviews T&U&/LASH YOUR NIPPLES TO A POST/HISTORY IS GORGEOUS by Jared Schickling

Jeff Harrison Engages T&U& LASH YOUR NIPPLES TO A POST HISTORY IS GORGEOUS by Jared Schickling

rob mclennan Reviews APOLLINAIRE’S SPEECH TO THE WAR MEDIC by Jake Kennedy

Megan Burns Reviews LUCKY by Mairéad Byrne and A REDUCTION by Jimmy Lo

Paul Lai Engages KĒROTAKIS : by Janice Lee

Patrick James Dunagan Reviews CLEARVIEW by Ted Greenwald and THE PUBLIC GARDENS: POEMS AND HISTORY by Linda Norton


John Bloomberg-Rissman Reviews KAZOO DREAMBOATS OR, ON WHAT THERE IS by J.H. Prynne

Gregory W. Randall Reviews THE HOMELESSNESS OF SELF by Susan Terris

Jim McCrary Reviews MY COMMON HEART by Anne Boyer and ISSUE 8, Newsletter from James Yeary

Megan Burns Reviews A TOAST IN THE HOUSE OF FRIENDS by Akilah Oliver

Eileen Tabios Engages INFO RATION by Stan Apps

Bill Scalia Reviews THE MORNING NEWS IS EXCITING by Don Mee Choi

Micah Cavaleri Reviews ACOUSTIC EXPERIENCE by Noah Eli Gordon

Jim McCrary Reviews COLLECTION by Megan Kaminski, MANTIC SEMANTIC by A.L. Nielsen, LVNGinTONGUES by G. E. Schwartz, and PO DOOM by jim mccrary

Eileen Tabios Engages BLUE COLLAR POET by G. Emil Reutter

Fiona Sze-Lorrain Reviews IF NOT METAMORPHIC by Brenda Iljima

Eileen Tabios Engages THE ULTERIOR EDEN: A SERIES OF GENUFLECTIONS, RUMINATIONS AND GYROSCOPES by j/j hastain


INTERVIEW
Tom Beckett Interviews NF Huth


FEATURE ARTICLE
“Make a Wish…and Blow out the Candles: An Explication of Tennessee Williams’s The Glass Menagerie by Nicholas T. Spatafora


THE CRITIC WRITES POEMS
Sunnylyn Thibodeaux


FROM OFFLINE TO ONLINE
Paul Lai Reviews AUTOMATON BIOGRAPHIES by Larissa Lai


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BACK COVER
A Thousand Words Plus...!

Galatea Resurrects 15

Galatea Resurrects #15 was released last month. Thanks to Eileen Tabios for including my review. Below the excerpt is a list of this issue's contributors.


Inside the sound of words are entanglements fighting for coherence, or some sense of it, at least. Approximations of this coherence can materialize in imagination of the speaker, especially through the visuality of text, a compact architecture of curves and lines furnished by constitutions of desire in writing and printing presses, processes that may formulate a sense of accessibility and familiarity, through journeys in reading. Thus, implicit in certain theories of language is a dance that intimates copulation of perceptions between text-image and its equivalent sound, whether through orally-conveyed sound or sound produced that cannot easily be translated into decibels recognizable by human-ear – sounds of silence, or those in meditation, which may also include sounds in structure of movements, the sonicity of action, especially in the context of physical vibrations and physical geometries. And in this dance are certain modes of producing rules or memory set in principles, to activate hierarchy of evolutions, and inherent devolutions in progressions. [ More here.]



 
Access Table of Contents here.

Reviewers & Contributors

Aileen Ibardaloza

Albert B. Casuga
Allen Bramhall
Anny Ballardini
Barbara Roether
Camille Martin
Edric Mesmer
Eileen Tabios
Eric Dickey
Eric Hoffman
G.E. Schwartz
Genevieve Kaplan
Hadas Yatom-Schwartz
Harry Thorne
Jeff Harrison
Jim McCrary
John Bloomberg-Rissman
John Herbert Cunningham
Jon Curley
Kathryn K. Stevenson
Kristi Castro
Kristina Marie Darling
L.M. Freer
Lisa Bower
Lynn Behrendt
Margaret H. Johnson
Marianne Villanueva
Michael Caylo-Baradi
Michael Pollock
Moira Richards
Nicholas T. Spatafora
Patrick James Dunagan
Peg Duthie
Rebecca Loudon
Richard Lopez
T.C. Marshall
Thomas Fink
Tom Beckett