I like the part when the voice talks about the map that tells where Henri had taken his pictures. That makes me think of Google Maps, Flickr, or other software that mechanize their engines, about how they grab pictures from anywhere in the internet and map them where they are taken or where its photographer is from.
Source: New York Review of Books Blog
“The art of photography is deliciously impure: its aesthetic triumphs and traditions are inescapably enmeshed in the messy world of work.” So writes Peter Galassi, curator of “Henri Cartier-Bresson: The Modern Century,” the Museum of Modern Art’s ambitious new exhibition devoted to the work of one of the most brilliant photographers of the twentieth century. On view through June 28, 2010, the exhibition presents Cartier-Bresson’s work in a daring way—his most iconic masterpieces share wall space with lesser-known photographs from throughout his career. In this audio slide show, the photographer Dominique Nabokov—whose own work appears regularly in The New York Review—talks about the exhibition and the ways in which Cartier-Bresson’s daily works reveal his genius. An additional photograph from the exhibition appears in the May 13 issue of The New York Review.
—Dominique Nabokov interviewed by Eve Bowen;
slide show produced by Eve Bowen and Sean Hagerty
