Galatea Resurrects #15 was released last month. Thanks to Eileen Tabios for including my review. Below the excerpt is a list of this issue's contributors.
Inside the sound of words are entanglements fighting for coherence, or some sense of it, at least. Approximations of this coherence can materialize in imagination of the speaker, especially through the visuality of text, a compact architecture of curves and lines furnished by constitutions of desire in writing and printing presses, processes that may formulate a sense of accessibility and familiarity, through journeys in reading. Thus, implicit in certain theories of language is a dance that intimates copulation of perceptions between text-image and its equivalent sound, whether through orally-conveyed sound or sound produced that cannot easily be translated into decibels recognizable by human-ear – sounds of silence, or those in meditation, which may also include sounds in structure of movements, the sonicity of action, especially in the context of physical vibrations and physical geometries. And in this dance are certain modes of producing rules or memory set in principles, to activate hierarchy of evolutions, and inherent devolutions in progressions. [ More here.]
Reviewers & Contributors
Aileen Ibardaloza
Albert B. Casuga
Allen Bramhall
Anny Ballardini
Barbara Roether
Camille Martin
Edric Mesmer
Eileen Tabios
Eric Dickey
Eric Hoffman
G.E. Schwartz
Genevieve Kaplan
Hadas Yatom-Schwartz
Harry Thorne
Jeff Harrison
Jim McCrary
John Bloomberg-Rissman
John Herbert Cunningham
Jon Curley
Kathryn K. Stevenson
Kristi Castro
Kristina Marie Darling
L.M. Freer
Lisa Bower
Lynn Behrendt
Margaret H. Johnson
Marianne Villanueva
Michael Caylo-Baradi
Michael Pollock
Moira Richards
Nicholas T. Spatafora
Patrick James Dunagan
Peg Duthie
Rebecca Loudon
Richard Lopez
T.C. Marshall
Thomas Fink
Tom Beckett
